We are not just material beings, but spiritual persons with a need for meaning, purpose, and fulfillment that transcends the visible confines of this world. This longing for transcendence is a longing for truth, goodness, and beauty. Truth, goodness, and beauty are called the transcendentals of being, because they are aspects of being. Everything in existence has these transcendentals to some extent. God, of course, as the source of all truth, goodness, and beauty, has these transcendentals to an infinite degree. Oftentimes, he draws us to himself primarily through one of these transcendentals. St. Augustine, who was drawn to beauty in all its creaturely forms, found the ultimate beauty he was seeking in God, his creator, the beauty “ever ancient, ever new.”―Sister Gabriella Yi, O.P.

Wednesday, May 11, 2016

From the Diocese of Lincoln—Why Latin? Why Chant?

Information worth quoting, in full, from the excellent Diocese of Lincoln, Nebraska.
Sacred music Q & A
http://www.lincolndiocese.org/news/diocesan-news/5334-sacred-music-q-a
Q. Why Latin? Why chant?
A. In recent years, there has been a movement in the direction of bringing Latin and chant back into the Church. The natural question asked by many is “why?” When Pope Emeritus Benedict XVI opened the Year of Faith, he encouraged all to read the documents of the Second Vatican Council. With regards to music, the Second Vatican Council gave Gregorian chant “pride of place” among the many forms of liturgical music. By singing Gregorian chant at the Mass, we are falling more in line with the teachings of the Church, as set by the council. (Try convincing so-called progressive liturgists that the Council taught/teaches that chant is the music of the Mass!)
Q. Why should the “non-musical” parishioner care?
A. The architecture of places like the St. Thomas Aquinas Newman Center in Lincoln and other Gothic style churches is designed to lift us up to God, taking us heavenward the moment we enter into the sacred space. The same should be said about the music that is a part of the sacred liturgy. Everything from the “Amen” that we chant to the hymns we sing should have the same effect, lifting us heavenward (... as opposed to driving us into the dirt with saccharine pop tunes). 
Related Item: Diocese to host clinic on sacred music Aug. 27 (see details below)
Participation during Mass has several layers. A parishioner can outwardly participate by speaking the prayers, singing the hymns and responses, and kneeling or sitting at the appropriate times. The other layer of participation at Mass can often go unlooked. This is the idea of an inward, or silent prayerful participation. When a chant or a song you may not know is sung during the Mass, that opportunity can be used to prayerfully observe the priest performing his sacred duties, and meditating on the message of the day. This active and inward participation is exactly why the average parishioner should care about understanding the role of music in the sacred liturgy. Through this understanding, you are able to fully enter into the sacred mysteries throughout the entire Mass, giving yourself less opportunities to become distracted, and step out of your daily cares and worries, entering into something greater than ourselves that transcends our earthly desires.
Q. Why should we even care about the documents of Vatican II? Aren’t we going backward?
A. Today, in 2016, when we think about the Second Vatican Council, our minds jump to the 1960s. Our immediate response is ‘that was over 50 years ago.’ That seems like a very long time ago, but in the vast, 2,000-year history of the Catholic Church, these documents are barely teenagers. Though created in the 60s, this council is our guideline and the Universal Church is still trying to implement it in the way the council fathers intended. One document in particular, Sacrosanctum Concilium (Constitution of the Sacred Liturgy), reads, “steps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them.” If we are expected to follow the instructions of the council, then steps should be taken to insure that the faithful at the very least have a basic appreciation for all aspects of the Liturgy.
Q. “I’m still not convinced about this Latin thing.”
A. The Mass is a re-presentation of the sacrifice of Calvary. We are truly present at His Passion. When Mass is celebrated with the use of some Latin in the prayers, our sense of hearing is taken back to Calvary in the time of Christ. When we use Latin, we then incorporate the three main languages of Christ’s time; Hebrew (Amen, Alleluia), Greek (Kyrie eleison – Lord have mercy), and Latin (Angus Dei – Lamb of God). These languages are the “Languages of the Cross.” The very languages that the words “Jesus of Nazareth, King of the Jews” was inscribed above Our Lord during his Crucifixion. During the Mass, we are taken back to that day, escaping the confines of time. (Beautifully said!)
- Jessica Happold and Amy Flamminio, Cathedral of the Risen Christ Parish in Lincoln.
Follow the Liturgical Leaders!

Clearly, the bishop and people of the Diocese of Lincoln take seriously that oft quoted line from Lumen Gentium: The Eucharist is the source and summit of the Christian life (cf. Catechism 1324).

One would think that, given the absolute importance of the Holy Eucharist to the life of Christians, all Catholics would be disposed to preserving the Eucharist from abuse, i.e., from the imposition of non-liturgical styles of music.
Diocese to host clinic on sacred music Aug. 27 Friday, 06 May 2016
http://www.lincolndiocese.org/news/diocesan-news/5335-diocese-to-host-clinic-on-sacred-music-aug-27
‘Early bird’ registration deadline is May 31
Story by S.L. Hansen
LINCOLN (SNR) - The Diocese of Lincoln will host its first “Sacred Music Clinic” Saturday, Aug. 27 at St. Thomas Aquinas Church on the campus of the University of Nebraska in Lincoln.
The clinic is meant for all those who contribute to liturgical music at Mass on any level – beginning, intermediate or advanced. That includes cantors, adult or youth choir directors, singers, organists and other instrumentalists, clergy and religious.
In a letter to parish musicians across the diocese, Bishop James Conley called the clinic, “an exciting opportunity to deepen your knowledge and understanding of the Church’s liturgical and sacred music tradition.”
Father Daniel Rayer, chancellor for the Diocese of Lincoln, said that several members of the diocesan Liturgical Commission who have attended the annual Catholic Music Association of America colloquium wanted to start a smaller version for musicians in the diocese.
“What we’re trying to do is help musicians from across the diocese know and understand what the Church documents really teach about the music at Mass and what kind of music is designed for the Sacred Liturgy,” he said.

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