We are not just material beings, but spiritual persons with a need for meaning, purpose, and fulfillment that transcends the visible confines of this world. This longing for transcendence is a longing for truth, goodness, and beauty. Truth, goodness, and beauty are called the transcendentals of being, because they are aspects of being. Everything in existence has these transcendentals to some extent. God, of course, as the source of all truth, goodness, and beauty, has these transcendentals to an infinite degree. Oftentimes, He draws us to Himself primarily through one of these transcendentals. St. Augustine, who was drawn to beauty in all its creaturely forms, found the ultimate beauty he was seeking in God, his creator, the beauty “ever ancient, ever new.”―Sister Gabriella Yi, O.P.

Living right on the left coast of North America!

So then, brethren, stand firm and hold to the traditions which you were taught by us, either by word of mouth or by letter.—2 Thessalonians 2:15

Thursday, January 29, 2015

City of Fights. Paris Arts: Controversy and Conflict

Now and then.

Now... .
The Telegraph (CLICK HERE for the full article)
‘Blasphemous’ artwork removed from Paris exhibition
by David Chazan, Paris.
An artwork depicting high-heeled shoes on Islamic prayer mats has been removed from an exhibition after a Muslim group warned of possible violence in the wake of the Paris attacks.

The French-Algerian (muslima) artist, Zoulikha Bouabdellah, withdrew the work from an exhibition in a northern Paris suburb with a large Muslim population after an Islamic group told local authorities it could provoke “uncontrollable, irresponsible incidents”. (Ah,... the rule of "flaw".)

It is considered disrespectful to step on Muslim prayer maps (sic) with shoes.
http://nadour.org/collection/Silence/
Ms Bouabdellah has replaced the artwork, “Silence”, previously exhibited in Paris, New York, Berlin and Madrid, with a video installation showing belly-dancing to the French national anthem, with swirling red, white and blue shawls symbolising the national flag.

The decision sparked protests from other artists who complained that freedom of expression was being undermined only weeks after 12 people were killed when gunmen attacked the office of the satirical magazine Charlie Hebdo, which published cartoons of the Prophet Mohammed. Another four people were killed at a kosher supermarket, and a policewoman was shot dead near a Jewish school.
Then... .

http://classicalmusic.about.com/od/20thcenturymusic/qt/rite-of-spring.htm
Stravinsky debuted the The Rite of Spring Ballet at the Théâtre des Champs-Élysées in Paris on May 29, 1913, to an audience accustomed to the grace, elegance, and traditional music of "conventional" ballets, i.e. Tchaikovsky's Swan Lake. Opposition to Stravinsky's work literally happened within the first few minutes of the piece as members of the audience booed loudly in response to the inharmonic notes accompanying the unrecognizable bassoon's opening solo. What's more, the work's unconventional music, sharp and unnatural choreography (dancers danced with bent arms and legs and would land on the floor so hard their internal organs would shake), and Russian pagan setting, failed to win over the majority of the audience. 
As the ballet progressed, so did the audience's discomfort. Those in favor of Stravinksy's work argued with those in opposition. The arguments eventually turned to brawls and police had to be notified. They arrived at intermission and successfully calmed the angry crowd (yes, the show wasn't even half way over before people were throwing punches). As the second half commenced, police were unable to keep the audience under control and rioting resumed. Stravinsky was so taken aback by the audience's reaction, he fled the scene before the show was over.
O Paris,... calm down. 

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