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ON THE TRANSCENDENTALS OF BEING | We are not just material beings, but spiritual persons with a need for meaning, purpose, and fulfillment that transcends the visible confines of this world. This longing for transcendence is a longing for truth, goodness, and beauty. Truth, goodness, and beauty are called the transcendentals of being, because they are aspects of being. Everything in existence has these transcendentals to some extent. God, of course, as the source of all truth, goodness, and beauty, has these transcendentals to an infinite degree. Oftentimes, he draws us to himself primarily through one of these transcendentals. St. Augustine, who was drawn to beauty in all its creaturely forms, found the ultimate beauty he was seeking in God, his creator, the beauty “ever ancient, ever new.”Sister Gabriella Yi, O.P.


CREDO UT INTELLIGAM | We become Catholics not actually knowing a great deal about the Faith and keep finding ourselves suddenly realizing, ‘Oh, that’s it. That’s why the Church teaches this.’ Acceptance comes first, then practice, then understanding.―David Mills.


MASS WITHOUT NEEDLESS DISTRACTIONS | There’s a peacefulness and naturalness that come from knowing what you’re going to get or what you’re supposed to do. As a layman, there is nothing more consoling and conducive to prayer than showing up at a traditional Latin Mass and simply being able to rely on the sameness of everything that will happen, from start to finish — everything for the glory of God and the sanctification of the people, even in the humblest conditions…(it) all works, everything comes together with a blessed inevitability, and one can surrender to the Mass, to prayer, to the Lord. It is a recipe for sanity and sanctity in a world that is characterized by escalating insanity and unholiness.—Dr. Peter Kwasniewski. h/t The Liturgy Guy.


COMMUNION WITH THE TRUE CHURCH | Make no mistake, my brothers, if anyone joins a schismatic he will not inherit God’s Kingdom. If anyone walks in the way of heresy, he is out of sympathy with the Passion. Be careful, then, to observe a single Eucharist. For there is one flesh of our Lord, Jesus Christ, and one cup of His blood that makes us one, and one altar, just as there is one bishop along with the presbytery and the deacons, my fellow slaves. In that way whatever you do is in line with God’s will.—Letter to the Philadelphians (trans. by C. Richardson), St. Ignatius (died c. A.D. 117), Bishop of Antioch (successor to St. Peter). h/t K. Albert Little.

Tuesday, August 25, 2015

Going fishing, or something.

Laudetur Iesus Christus!

Welcome to all visitors to the Oasis,... members, passersby, allies in the liturgical-cultural conflagrations.

Sticks are bundled; berries gathered.

Blogging will most likely ease up in the coming days for a period of a fortnight or less. A forthcoming seasonal change requires a timely shift of commitment to allow for an adequate preparation of an appropriate mental space.

In the interim, if an earth shattering event should occur, say for example the National 'c'atholic Reporter goes out of business, then readers can expect a post acknowledging such an event.

Keep the Faith!

Monday, August 24, 2015

Beauty, detail, ars celebrandi,... seminary formation?

(A)t the end of the Council the Fathers addressed a greeting and an appeal to artists: “This world—they said—in which we live needs beauty in order not to sink into despair. Beauty, like truth, brings joy to the human heart and is that precious fruit which resists the erosion of time, which unites generations and enables them to be one in admiration!”.(19) In this spirit of profound respect for beauty, the Constitution on the Sacred Liturgy Sacrosanctum Concilium recalled the historic friendliness of the Church towards art and, referring more specifically to sacred art, the “summit” of religious art, did not hesitate to consider artists as having “a noble ministry” when their works reflect in some way the infinite beauty of God and raise people's minds to him.(20) Thanks also to the help of artists “the knowledge of God can be better revealed and the preaching of the Gospel can become clearer to the human mind”.(21) In this light, it comes as no surprise when Father Marie Dominique Chenu claims that the work of the historian of theology would be incomplete if he failed to give due attention to works of art, both literary and figurative, which are in their own way “not only aesthetic representations, but genuine 'sources' of theology”.(22)—Letter of His Holiness Pope John Paul II to artists, 1999.
What about art?

During the course of a priest's formation a lot of attention is given to clinical pastoral education (CPE), and rightly so. Appropriate attention is given to philosophy and theology. Again, all well and good. A glaring omission in many priests' formation is a necessary sensitivity to art, a sensitivity which translates into the ars celebrandi for the Mass. Where in the seminary curriculum is attention to the ars celebrandi, the art of liturgical celebration?
As the Council recalls, the liturgical action of the Church is also a part of her contribution to the civilizing task (cf. Gaudium et spes n. 58, 4). The liturgy is indeed the celebration of the central event of human history, the redemptive Sacrifice of Christ. By this, it testifies to the love with which God loves mankind, it testifies that human life has a meaning and that [man] is called by vocation to take part in the glorious life of the Trinity.
Mankind needs this testimony. It needs to perceive, by way of the liturgical celebrations, that the Church is conscious of the Lordship of God and of the dignity of man. It has the right to be able to discern, beyond the limitations that will always characterize her rites and ceremonies, that Christ "is present in the sacrifice of the Mass, and in the person of the minister" (cf. Sacrosanctum Concilium, n. 7).
Aware of the concern which you have surrounding your liturgical celebrations, I encourage you to cultivate the art of celebration (ars celebrandi), to help your priests in this sense, and to work ceaselessly in the liturgical formation of seminarians and faithful. Respect for the established norms expresses love and fidelity to the Church's faith, to the treasure of grace that she protects and passes on. The beauty of the celebrations, much more than innovations and subjective adaptations, is what makes the work of evangelization durable and efficacious.—Benedict XVI, Address to the bishops of France, ad limina visit. (Rorate Cæli blog).
Cliff Notes. Where, in seminary formation, is the attention to liturgical detail and sensitivity to symbol? Where is the promotion of a deep sense of the sacred? Where is there a forum in which priests in training can encounter truly beautiful ritual that articulates or points wonderers in the direction of mystery? Where is there formation in the arts, art history, architecture, music, iconography? If priests are the stewards of the sacraments, which are true and beautiful signs of God's love, mercy and forgiveness, etc., and obviously more than just mere signs but vehicles of God's grace, i.e., "an outward sign instituted by Christ to give grace", how is it that art (and the philosophical investigation into aesthetics) appears to be pushed to the edge, or perhaps off the cliff, of priestly training?

Depth perception. Despite the stale bread which seems to be the staple diet at many seminaries, a younger generation of priests understands that liturgy is, or should be, detail oriented, which is to say depth oriented. If seminarian chit-chat in various internet forums is any indication as to the character of the situation, most of these younger priests are learning on their own the proper celebration of the Mass. Access to the internet is providing information and formation that is the necessary correction to decades of bad advice from seminary instructors and poorly trained elders, or elders with very large chips on their shoulders.

Monkey see monkey do.

Is Mass the liturgy of heaven descending into the midst of the congregation, or is it merely a happy fellowship time replete with glad-handing and devotional ditties that focus on the worshipper instead the One worshipped? If priestly behaviour at the altar is any indication, the concept that Christ acts in His Liturgy is ignored more than embraced in far too many theological institutions that ready priests for service (cf. Cardinal Sarah's missive, HERE).

Details are important. Contrary to the opinion of the lazy minded low-information Catholic, details do not kill the spirit. Try baking a decent cake without paying attention to the kind and amount of ingredients, the order of mixing the ingredients and the length of the baking process itself. Failing to acknowledge the importance of certain details can ruin the outcome.

Attention span of a gnat. People who cannot for a moment pry themselves away from texting on their smart phones to appreciate a beautiful moment in nature, or to thrill to the smiling eyes of an infant expressing delight or admire a couple savouring a walk together or to enjoy the quiet repose of a shared meal... are the same folk who cannot or perhaps will not appreciate that the Lord's invitation to newness of life so fills the Liturgy that every detail becomes a life giving note in the liturgical symphony that is the Mass.
Ars celebrandi at its roots is, as we saw, not so much a matter of a series of actions put together in a harmonious unity as much as a deeply interior communion with Christ — the art of conforming to Christ, the High Priest, and His sacrificial and salvific actio. It does not so much connote the freedom to do as one pleases as much as the freedom to be united to the priestly mission of Christ. To understand this concept well, we need to look at it as being effective at three different levels: an interior level in which the priest becomes a listener of the Word of God as it has been mediated by the Holy Spirit within the Church (interiority); an attitude of total obedience and identity with that Word (obedience to norms); and finally a profoundly absorbed celebration of the sacred mysteries in the liturgy (devoutness).—Archbishop Ranjith, Towards an Ars Celebrandi in Liturgy, 2008.
After a movie, most people rush out of their seats when the movie credits appear. A few curious souls remain behind, those who seek to know the names of the magicians who brought the movie to the screen. Those who wait in their seats watching the credits roll by are rewarded with a detailed presentation of the many minds (and hands and faces and voices) that collaborated to produce the movie. The list of actors and technical crew, artists and other contributors (set designers and builders, caterers, attendants, producers) reminds one of the many invisible details for which the many supporting members are responsible. The many details that, taken together, fuse to become a magnificent feast for the senses and the imagination, the intellect and the heart.

Now, imagine a drama more vast that you can possibly imagine with a list of cast members constituting a litany spanning all time and eternity. That is the Mass, for in the Mass Christ makes present all of history. We, in Christ in the Mass, are present to eternity with the saints and the holy angels of God.
3. The "Ars Celebrandi"
Here are the reasons why in the last four decades the Magisterium has reminded priests several times of the importance of the "ars celebrandi," which -- although it does not consist only in the perfect execution of the rites according to the books, but also and above all in the spirit of faith and adoration with which these are celebrated -- cannot be carried out, however, if it is removed from the norms established for the celebration.[10]
It is expressed thus, for example, by the Holy Father Benedict XVI: "The first way with which the participation of the People of God in the sacred rite is fostered is the proper celebration of the rite itself. The
'ars celebrandi' is the best premise for the 'actuosa participatio.' The 'ars celebrandi' stems from faithful obedience to the liturgical norms in their plenitude, as it is precisely this way of celebrating which has ensured for two thousand years the life of faith of all believers, who are called to live the celebration as People of God, royal priesthood, holy nation (cf. 1 P 2, 4-5.9)."[11]Observance of Liturgical Norms and "Ars Celebrandi": Father Gagliardi Reflects on Abuses in Celebrating the Mass (Zenit, 2010).
Twits and fits—declining attention span.

Men and women—parents—must be trained to see and hear the details. Otherwise, from whom will children learn to delight in their surroundings and learn to listen deeply into the music and prayers they hear, to invest themselves in experience to find and savour authentic meaning? If people do not move beyond the flat screen of a text message, souls will become even more arid, scoured free of depth by emotionless two dimensional 140 character fits of madness.
Cardinal Ratzinger, a few years before he became pope, observed how some appeals can be like the “experience of beauty of which Genesis speaks in the account of the Original Sin. Eve saw that the fruit of the tree was ‘beautiful’ to eat and was ‘delightful to the eyes.’” “Who would not recognize,” he went on to say, “in advertising, the images made with supreme skill that are created to tempt the human being irresistibly, to make him want to grab everything and seek the passing satisfaction rather than be open to others.” He contrasted this with an experience he had in Munich soon after the death of Karl Richter. He was sitting at a Bach concert, next to the Lutheran Bishop Johannes Hanselmann, and when the performance was over he said,
When the last note of one of the great Thomas Kantor Cantatas triumphantly faded away, we looked at each other [and] said, “Anyone who has heard this, knows that the faith is true.” The music had such an extraordinary force of reality that we realized, no longer by deduction, but by the impact on our hearts, that it could not have originated from nothingness, but could only have come to be through the power of the Truth that became real in the composer’s inspiration.
I have been arguing that the arrow between intellect and virtue travels in a different direction than scholars sometimes suppose. That the cultivation of virtue prepares the ground for the work of the intellect, because “virtue makes us aim at the right mark.” Let me give one more example. When we went off to college my mother would say, after the fashion of St. Monica, “Don’t forget your prayers.” After I got out of law school she came to visit me in New York, and I told her about a book I had just read (by J.N.D. Kelly, as I recall) on early Christian doctrine. I asked if she knew that the words “light from light” that we recited in the Nicene Creed were meant to resolve the Arian heresy about the relation between God the Father and God the Son. She said, “Dear, the important thing is not that you understand it. The important thing is that you believe it.”—from Intellect and Virtue: the Idea of the Catholic University. Inaugural Address, President John Garvey, 2011.
Beautiful music (not vapid devotional syrup that cloys the soul) tunes the "ears" to hear beyond the "flesh" into the realm of spirit. One need not understand word for word a Latin motet to be able to feel or intuit the geometry of sound that is theology written into a tapestry of relationships that purifies the senses, elevates the mind and expands the heart's capacity for love, joy, hope and faith. These thoughts apply to the music of Palestrina, Duruflé and the like more than to the awkward constructions of the many poorly trained—but surprisingly gainfully employed—novices who set text like someone who smashes at sounds and composition with the sensitivity of a pile driver. The geometry of Palestrina is enough to entice the ear, the imagination and the entire soul into an experience of the order of creation itself. God has left His imprint on creation, in the heart of every person. Though the likeness of the soul to God is marred by Original Sin, Baptism frees us from death's grip to enjoy the restored order which is hinted at in the finest sacred music and all truly sacred art that disciplines us in the way of order.

Beautiful art (liturgy, music, architecture, windows, statuary, ritual gesture, etc.) fuels the imagination and reminds us of our story, the richest legacy one can experience this side of heaven, a legacy informed by and saturated with the imprint of the Holy Spirit.

The Church's story is a witness to the Gospel, a legacy of centuries of experience, wisdom and Christian living.